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Florian Haller Main Profile Image

florian haller

Florian Haller

Münchnen , Deutschland

Collage, Painting • Born in Biberach/Riß • Studied at München/Berlin
 5

Consistency.

(…) Florian Haller's paintings take a long time to percept. This makes them totally different from most medial, digital pictures. „ The perception of digital pictures takes place like a contagion, like an affection, a direct contact between the picture and the eye. This makes out its obscenity. The aesthetic distance fails in every way.“ *
Haller sets just this aesthetic distance in an absolute way. His paintings exclusively follow...

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(…) Florian Haller's paintings take a long time to percept. This makes them totally different from most medial, digital pictures. „ The perception of digital pictures takes place like a contagion, like an affection, a direct contact between the picture and the eye. This makes out its obscenity. The aesthetic distance fails in every way.“ *
Haller sets just this aesthetic distance in an absolute way. His paintings exclusively follow a pictorial logic and never present itself to our everyday seeing. No everyday pictures are copied in art here. A recognizing view has to fail inevitably. Haller is fully aware of the border between art and reality and knowingly never passes it. This drawing of a border is, in era in which we let us be dulled by the hyper-presence of all of the most horrible (or beautiful) pictures, ever more meaningful. Then the „aesthetic border, existing as a border or as a crossing, can only be crossed into reality at the cost of an artless art... the elimination of the aesthetic border is the elimination of the possibility to speak of reality other than in categories of reality“. **
We should not let us be taken just this possibility.

Jörg van den Berg


* Byung-Chul Han: Die Errettung des Schönen. Frankfurt am Main (Fischer) 2015, p.48 f
** Gottfried Boehm: Zur Dialektik der ästhetischen Grenze: Überlegungen zur gegenwärtigen Ästhetik im Anschluss an Josef Albers. In: Neue Hefte für Philosophie 5 / 1973, p.118-138, here p. 120

TWO WALLS IN THE TANK HALL, Installation Shot

TWO WALLS IN THE TANK HALL, Installation Shot

cage ,2016 Acryl, Spachtelmasse und Vinyl auf Leinwand 200 x 130 cm

cage ,2016 Acryl, Spachtelmasse und Vinyl auf Leinwand 200 x 130 cm

System ac ,2016 Acryl, Vinyl auf Aluminium auf Wand und Edelstahl 200 x 125 cm

System ac ,2016 Acryl, Vinyl auf Aluminium auf Wand und Edelstahl 200 x 125 cm

Bild Fassade, 2016, 150 x 100 cm, Acryl,Spachtel,Vinyl auf Aluminium

Bild Fassade, 2016, 150 x 100 cm, Acryl,Spachtel,Vinyl auf Aluminium

Doppel, 2016, 200 x 125 cm, Acryl,Vinyl,Edelstahl,Leinwand,Wandfarbe auf Wand

Doppel, 2016, 200 x 125 cm, Acryl,Vinyl,Edelstahl,Leinwand,Wandfarbe auf Wand

Teatro, 2016, 150 x 100 cm, Acryl,Spachtel,Vinyl auf Aluminium

Teatro, 2016, 150 x 100 cm, Acryl,Spachtel,Vinyl auf Aluminium

System ab ,2016 Acryl, Vinyl auf Holz auf Wand und Edelstahl 200 x 125 cm

System ab ,2016 Acryl, Vinyl auf Holz auf Wand und Edelstahl 200 x 125 cm

Tilman und Kopf und WdK und Aussicht auf Besseres ,2017

Tilman und Kopf und WdK und Aussicht auf Besseres ,2017

Jute ,2016 Mixed Media auf Aluminium 150 x 120 cm

Jute ,2016 Mixed Media auf Aluminium 150 x 120 cm

When, 2016, 200 x 125 cm, Acryl,Vinyl,Edelstahl,Leinwand,Wandfarbe auf Wand

When, 2016, 200 x 125 cm, Acryl,Vinyl,Edelstahl,Leinwand,Wandfarbe auf Wand

Anordnung Neu ,2016 Mixed Media auf Aluminium 150 x 120 cm

Anordnung Neu ,2016 Mixed Media auf Aluminium 150 x 120 cm

Tiefe nach aussen

Tiefe nach aussen

What is your favourite material to work with? How has your use of it evolved throughout your practice?

Acrylic, Aluminium, Mass, Wood

What themes do you pursue?

Relief, Color and Space


EXHIBITIONS

SOLO

2016

Ausdehnung und Reduktion, Galerie Jo van de Loo, München

Analoge Expansion, Städtische Galerie, Villingen Schwenningen

GROUP

2016

Tiefe nach Aussen, Galerie der Künstler, München

Kaleidoskop, L'oiseau present, Berlin

WORKS IN COLLECTIONS

BMW Group, München

Pinakothek der Moderne, München

Sammlung Biedermann

GALLERIES

Galerie Jo van de Loo | www.galerie-jovandeloo.com

PUBLICATIONS

Surface Tension, 2009, Verlag Galerie Ebbers

Analoge Expansion, 2016, Verlag der Städtischen Galerie Villingen Schwenningen

AWARDS

2011, USA Stipendium des Freistaates Bayern ( 6 Monate Los Angeles)

2009, Bayerischer Kunstförderpreis

EDUCATION (detailed)

2000-2007 Akademie der Bildenden Künste München


For more information and inquiries about this artist, please contact Artitious by emailing to artist@artitious.com

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