MAX PRESNEILL
Angelika M. Zeller
Stuttgart
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Stuttgart
The works of Angelika Zeller are multi-form.
With the help of a sowing needle she is modelling hair within a thin metal frame. She is thus creating three-dimensional drawings that are attached loosely in front of a wall or hang in the air by a nylon thread. From far these objects become sharp and contoured. From close up they appear shadowy and blurred. With the observer's viewpoint changing they gain or lose sculptural relief. Depending...
The works of Angelika Zeller are multi-form.
With the help of a sowing needle she is modelling hair within a thin metal frame. She is thus creating three-dimensional drawings that are attached loosely in front of a wall or hang in the air by a nylon thread. From far these objects become sharp and contoured. From close up they appear shadowy and blurred. With the observer's viewpoint changing they gain or lose sculptural relief. Depending on the incidence of light some parts appear compacted while others seem to withdraw.
We feel a vortex moving in which we could be dragged in – in these objects time isn't frozen but has stayed in motion. (Thomas Nolden)
Where several of those human-like beings are spun together to a group it even looks as if a spider in a state of LSD-intoxication has tried to imitate our social networks. (Harry Walter)
What sounds, scents and sights do you encounter while in your studio?
Temporaries
What themes do you pursue?
Everything in between the intangible and the definition
What advice has had the biggest impact on your career?
Become, who you are
If you could install your art absolutely anywhere, where would that be?
In other people's heads
If you could only have one piece of art in your life, what would it be?
Beekeeper (Peter Bruegel)
If you weren´t an artist, what would you be doing?
Nothing
What are your favourite places besides your studio?
The forest
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UdK Berlin
