BEATRIZ MORALES
Ulrike Mundt
Dresden, Germany
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Dresden, Germany
Published 25/08/2016 | Updated 23/09/2021
Ulrike Mundt's sculptures and objects move on the border between art and design. The artist uses perfectly constructed spatial bodies and high-gloss surfaces to create an aura of importance. With various strategies, such as a cartoon-like visual joke or a signal language running in the void, she disturbs the self-referential discourses of her works and formulates in this way criticism of the beautiful appearance as well as the simplification of...
Read moreUlrike Mundt's sculptures and objects move on the border between art and design. The artist uses perfectly constructed spatial bodies and high-gloss surfaces to create an aura of importance. With various strategies, such as a cartoon-like visual joke or a signal language running in the void, she disturbs the self-referential discourses of her works and formulates in this way criticism of the beautiful appearance as well as the simplification of complex connections.
Susanne Burmester
The Observer (head) I kinetic sculpture I stainless steel, brass, mechanical parts, rubber I 140 x 80 x 80 cm I background: signal flags
Hochschule für Bildende Künste, Dresden
Fotos: Franziska Pilz, Björn Siebert, Michael Kretzschmar, Lisa Stagge, Oskar Stolin, Tosca Schuermans, Thomas Häntzschel