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Peter Vahlefeld Main Profile Image

Peter Vahlefeld

Berlin / Germany

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Mixed media, Painting • Born in Tokyo / Japan • Studied at Parsons School of Design NYC
 6

Peter Vahlefeld: Uncorporate Image

Peter Vahlefeld’s work explores the visible and veiled aspects of the dissemination of images. The paintings are both complex and multilayered, emotive pictorial palimpsests regarding his use of superimposed sources, which carry an iconographic set of references. These sources are transformed during the painting process in order to rearrange their meaning content. Peter is interested in the formal tensions within a painting, how visually...

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Peter Vahlefeld’s work explores the visible and veiled aspects of the dissemination of images. The paintings are both complex and multilayered, emotive pictorial palimpsests regarding his use of superimposed sources, which carry an iconographic set of references. These sources are transformed during the painting process in order to rearrange their meaning content. Peter is interested in the formal tensions within a painting, how visually different elements like paint, prints and collage interact on canvas. He picks up particularly the immediate and intuitive approaches of action painting/abstract expressionism—rubbing out and erasing previous markings, where oil paint seems to have been dragged, pulled, splashed, and splattered across the canvas.

Installation View Berlin — New York

Installation View Berlin — New York

Installation View Munich

Installation View Munich

Readymade Textiles (Detail Painting 200 x 200 cm)

Readymade Textiles (Detail Painting 200 x 200 cm)

Painting 200 x 200 cm

Painting 200 x 200 cm

Readymade Museum Shop Prado

Readymade Museum Shop Prado

Overpainted Readymade

Overpainted Readymade

Painting 200 x 320 cm

Painting 200 x 320 cm

Painting 200 x 320 cm

Painting 200 x 320 cm

Painting 200 x 200 cm

Painting 200 x 200 cm

Painting 120 x 340 cm

Painting 120 x 340 cm

Painting 200 x 200 cm

Painting 200 x 200 cm

Painting 200 x 135 cm

Painting 200 x 135 cm

Detail Painting 200 x 135 cm

Detail Painting 200 x 135 cm

Painting 200 x 135 cm

Painting 200 x 135 cm

Detail Painting 200 x 135 cm

Detail Painting 200 x 135 cm

Painting 200 x 135 cm

Painting 200 x 135 cm

Painting 200 x 135 cm

Painting 200 x 135 cm

Studio Berlin — Painting each 200 x 200 cm

Studio Berlin — Painting each 200 x 200 cm

Studio Berlin — Painting 90 x 200 cm

Studio Berlin — Painting 90 x 200 cm

Studio Berlin — Painting 160 x 160 cm

Studio Berlin — Painting 160 x 160 cm

Painting 200 x 135 cm

Painting 200 x 135 cm

Detail Painting 200 x 135 cm

Detail Painting 200 x 135 cm

Painting 200 x 140 cm

Painting 200 x 140 cm

Painting 200 x 140 cm

Painting 200 x 140 cm

Installation View

Installation View

Painting 200 x 140 cm

Painting 200 x 140 cm

Installation View

Installation View

Installation View Berlin

Installation View Berlin

Studio Berlin

Studio Berlin

Painting 120 x 120 cm

Painting 120 x 120 cm

Studio Berlin

Studio Berlin

Museum Shop Tate Modern

Museum Shop Tate Modern

Studio Berlin

Studio Berlin

Museum Shop Tate Modern

Museum Shop Tate Modern

Painting 140 x 220 cm

Painting 140 x 220 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Painting 120 x 120 cm

Installation View

Installation View

Installation View

Installation View

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpainted Readymade

Overpprinted Readymade

Overpprinted Readymade

Overpainted Readymade

Overpainted Readymade

Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Painting 160 x 220 cm

Painting 160 x 220 cm

Installation View

Installation View

Peter Vahlefeld – ZDF Television, Germany: Studio Berlin

The recent work uses the tactics of bootlegging and expropriation to address issues of economic commercialisation. The artwork is an abstruse commentary on the nature of advertising for art, galleries, auction houses and museums—a practice dedicated entirely to the harnessing of abstract desire and subjective memory to a tangible product, signified but not yet present.

Peter Vahlefeld – Kunst & Konsum

Artist Talk at Bar Giornale Munich with Stephanie Senge and Prof. Wolfgang Ullrich. Hosted by Dr. Stefanie Staby und Kat Schuetz.

Peter Vahlefeld – Exhibition Bar Giornale Munich

Peter Vahlefeld weaves a complex web of images, advertisements and popular elements that superimposes his narrative, layer by layer. He deconstructs not only linear narrative structures but also the divisions between truth and fiction.

Peter Vahlefeld – Shopping at the National Gallery for Miro

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Shopping at the National Gallery for a Vincent van Gogh File Label

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Shopping at the National Gallery for Vincent van Gogh´s Sunflowers

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Shopping at the National Gallery for a Vincent van Gogh Puzzle

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Shopping at the National Gallery for a Vincent van Gogh Lens Cloth

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Shopping at the National Gallery for a Vincent van Gogh iPhone Cover 6

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Shopping at the National Gallery

The video grapples with reflections over marketing strategies in art. Peter Vahlefeld has recognized that works of art in our culture inevitably are reduced to the condition of commodity. What he does is to short-circuit the process and start with the commodity.

Peter Vahlefeld – Artforum

Art's most radical quality is that it's useless. People have used art for lots of purposes throughout history, but artists have to protect its uselessness—it serves as a shield against corruption. Making things with zero utility—and emphasizing that trait—is certainly one way to keep paintings from turning into the creative equivalent of pork bellies.

Peter Vahlefeld – Artforum

Art's most radical quality is that it's useless. People have used art for lots of purposes throughout history, but artists have to protect its uselessness—it serves as a shield against corruption. Making things with zero utility—and emphasizing that trait—is certainly one way to keep paintings from turning into the creative equivalent of pork bellies.

Peter Vahlefeld – Art + Auction

The recent work uses the tactics of expropriation to address issues of economic commercialisation. The artwork is an abstruse commentary on the nature of advertising for art, galleries, auction houses and museums—a practice dedicated entirely to the harnessing of abstract desire and subjective memory to a tangible product, signified but not yet present.

What is your favourite material to work with? How has your use of it evolved throughout your practice?

Acylics, Oil paint and my Epson Ultrachrome printer.

What themes do you pursue?

The mediatization of painting


EXHIBITIONS

SOLO

2017

Top of the Pops der Königlich Bayerischen Staatsgemäldesammlungen, Galerie Michael Heufelder, Munich, Germany

The Stolen Image, Rubicon Partners, Munich, London, Shanghai

The Stolen Image, Galerie Robert Widmann, Munich, Germany

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GROUP

2017

Edition Karbit, Gallery Michael Heufelder, Munich, Germany, 2017

Classics , Gallery Döbele, Mannheim, Germany, 2017

2016

Edition Karbit, Gallery Michael Heufelder, Munich, Germany

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WORKS IN COLLECTIONS

Bennett Property Holdings Co. Ltd, Mumbai, India

Dallmayr, Munich, Germany

Dobergo, Lossburg-Betzweiler, Germany

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GALLERIES

Galerie Michael Heufelder | http://www.galerie-heufelder.de

46 Parachute Purple | http://www.46parachutepurple.com

Salon Populaire | http://salon-populaire.com/art/peter-vahlefeld/

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PUBLICATIONS

AWARDS

2003, Photoshopaward, Berlin

1991, American Illustration 10th Annual Award, New York

1988, Grant, Parsons School of Design, Paris

EDUCATION (detailed)

1990, Honor-Degree, Parsons School of Design, New York


For more information and inquiries about this artist, please contact Artitious by emailing to artist@artitious.com

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