KAREN VAN DOOREN
Miray Seramet
Berlin/Germany
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Berlin/Germany
Published 13/07/2016 | Updated 30/08/2024
Miray Seramet (*1971 Krefeld) is of German-Turkish origin; she has studied textile design and goes to classical dance classes. These elements are central themes to the artist. The desire to express her double identity in relation to her own body is addressed in textile objects, images, photographs and projections.
Seramet considers thread, fabrics, and clothing to be symbols of gender roles but also of her own identity between...
Miray Seramet (*1971 Krefeld) is of German-Turkish origin; she has studied textile design and goes to classical dance classes. These elements are central themes to the artist. The desire to express her double identity in relation to her own body is addressed in textile objects, images, photographs and projections.
Seramet considers thread, fabrics, and clothing to be symbols of gender roles but also of her own identity between Turkish tradition and modern German fashion consciousness. The knitting machine is her tool for the connection between mason’s cord and nylons, an allegorical entanglement between man and woman. In Den 20 she combines flesh-coloured nylons, a second female skin, more beautiful, decent and more erotic than naked skin with strong, colourful, and rough mason’s cord. Astonishingly, the seemingly fragile nylons don’t tear, and poetical collections come together, fired by a background concept interlaced with extravagant fashion creations.
Nylons, mounted on large canvases, stowed away in sample boxes, or presented on the wall as soft objects, are omnipresent. The nylons are tested as to their strength and their stretch qualities; their worn or unworn shape is exemplified, or they are collaged. A particular colour may be highlighted, they are filled with lambswool and fashioned into breast-penises and vulva-buds. Gretchen in der Stube [Little Grete in the Living Room] consists of a series of androgynous sexual body parts, a hybrid between sexshop accessory and soft toy. Soft and Strong is a photographic work in which the nylons, photographed by the artist on her own legs, have strangely coloured fluffy additions of erotic connotation that would seem to originate from a performance. The general focus of this humorous work is on the theme of love.
Seramet writes: “Sewing, embroidering, knitting, and felt-making are crafts that symbolically stand in the close tradition of Turkish dowry for future brides…. My collections are a humorous hint at the difference between man and woman, the absurdity of societal norms of a division by gender. My work confronts open sexuality with sexuality concealed under a veil.”
Text: Dr. Helen Adkins
Hildegard Nr. 30, Ausstellungsansicht Villa Heike 2022, Original 1940er-Jahre Feinstrumpf-Nylons auf Petticoat, übereinander drapiert und handgenäht, 180 × 120 cm, 2017
Ingeburg Nr. 4, Ausstellungsansicht Villa Heike 2022 Original 50er Jahre Feinstrumpf-Nylons auf Petticoat übereinander drapiert und handgenäht, 110 x 110 x 4 cm, 2022
Ingeburg Nr. 1, Original 1950er Jahre Feinstrumpf-Nylons auf Petticoat übereinander drapiert und handgenäht, 110 x 110 x 4 cm, 2022 Kopie
Ingeburg Nr. 22, Original 1960er-Jahre Feinstrumpf-Nylons, auf Petticoat drapiert und handgenäht, 40 × 30 × 4 cm, 2022
Ingeburg Nr. 26, Original 1960er-Jahre Feinstrumpf-Nylons, auf Petticoat drapiert und handgenäht, 40 × 30 × 4 cm, 2022
Hildegard Nr. 8, Original, 1950er-Jahre Feinstrumpf-Nylons auf Molton, übereinander drapiert und handgenäht, 150 × 150 cm, 2015
What is it about your studio space that inspires you?
I like it that my studio is on the ground floor, it feels very earthy with both feet on the ground. I start working in my studio very early. open the door and enjoy the fresh air and drink good coffee, that makes me very happy....
What sounds, scents and sights do you encounter while in your studio?
My studio is very quiet, so i can hear my own thoughts.
What is your favourite material to work with? How has your use of it evolved throughout your practice?
Nylons, surgical Stocking and lambswool.
If you could install your art absolutely anywhere, where would that be?
Dubai Museum of Contemporary Art (DMOCA)
If you could only have one piece of art in your life, what would it be?
Gotthard Graubner
If you weren´t an artist, what would you be doing?
Ballet dancer
What are your favourite places besides your studio?
Nature, Bergama
2024
The Urge of Connection, Werkschau, Featured by PS 120 Galerie
2022
Vom Drang des Verbindens, Villa Heike
Galerie Mama, Krefeld
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2024
Mail-Art 2024: [R] EVOLUTION, Markgräfler Museum Müllheim
Bring Dein Bild, Kunsthalle-Wilhelmshaven
2023
Kunststoff − Zauberstoff: Freiheit und Grenzen der Gestaltung, HfG-Archiv Ulm
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Essaouira Centre of Contemporary Art
Grassi Museum, Leipzig
Industriemuseum, Chemnitz
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Galerie Mama | https://galeriemama.com
2018 FINALISTS, The Global Art Awards, Dubai
2017 Nominierung zum BLOOOM Award, Warsteiner, Düsseldorf
2016, Nomination for the BLOOOM Award by Warsteiner, Köln
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1998, Diploma, Product design study at the Technical College of Niederrhein/Krefeld
2006, Diploma with Prof. Tristan Pranyko and Roland Schimmelpfennig Postgraduate studies, textile and surface design at Berlin Weissensee School of Art, KHB
2010, Appointed as master student with Prof. Tristan Pranyko, KHB Berlin