WOLFGANG FLAD
Alastair R Noble
Kirn, Dunoon Scotland
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Kirn, Dunoon Scotland
My artistic practice is a response to architecture and the natural environment and reflects on particular sites in the context of poetry and literature. Alternative approaches to mapping is the crux of my research, I juxtapose and transform words, signs, symbols and texts into installations, artist’s books, prints and drawings.
The writings of Mallarmé, Marinetti, Mayakovsky, Wittgenstein, Heraclitus have been the genesis of numerous...
My artistic practice is a response to architecture and the natural environment and reflects on particular sites in the context of poetry and literature. Alternative approaches to mapping is the crux of my research, I juxtapose and transform words, signs, symbols and texts into installations, artist’s books, prints and drawings.
The writings of Mallarmé, Marinetti, Mayakovsky, Wittgenstein, Heraclitus have been the genesis of numerous works. The language games invented by Argentinean writer Jorge Luis Borges, evident in his short narratives are the stimulus for installations and and environmental interventions. “The Library of Babel” was transposed into a series of "Babel" installations and “On the Exactitude of Science” formed the basis for investigations into alternative methods of mapping the landscape entitled "Mapping Arcadia."
My drawings are a mediation on the writers’ words that I transpose into multiple layered inscriptions. By hand-copying the lines, they become interwoven into random patterns transforming language into indecipherable calligraphic notations. A significant element of my drawings result in the juxtaposition of the patterns created by the overlapping written notations that reflect the textures within the texts. These drawings are devised in series reflecting on a whole poem or short passages from longer manuscripts.
I have exhibited extensively nationally and internationally including Italy, Denmark, Peru, Chile, Bulgaria and the US and the UK. Periodically, I write on sculpture and architecture for art journals, magazines and catalogues. Additionally, I curate and organizes exhibitions that complement my own research related to mapping. I have taught and lectured at numerous colleges, universities and public institutions. Currently I divide my time between Scotland and the USA where I have a studio in Upstate New York I also have a studio and gallery DunoonMOCA, Dunoon Scotland with a focus on TextArt, Poetry & Artist's Books.Two years ago I established Gnōbilis Press as a means to promote and distribute my artist's books and prints.
Websites
https://www.gnobilis-press.com/
https://arnoble.com/
Witt III - 110 Series 1of12 drawings excerpts from Wittgenstein's "Remarks on Colour" 254mmx140mm 2015
Witt III -111 Series 1of12 drawings excerpts from Wittgenstein's "Remarks on Colour" 254mmx140mm 2015
Alphabet - 2016 environment project in collaboration with Kathy Bruce -text extract from poem Alphabet woven in willow by Inger Christensen site GasMuseet Hobro Denmark
Alphabet - environment project & collaboration with Kathy Bruce - text in willow with Honeysuckle planted to grow up each letter
Alphabet - prints made at studio in upstate NY of text woven in willow a quote from poem Alphabet (1981) by Danish poet Inger Christensen
Alphabet prints Danish text - og grenenes eneste tegning branches exist- English and the lone drawing made by the branches
What is it about your studio space that inspires you?
It is a place to focus without interruptions
What sounds, scents and sights do you encounter while in your studio?
I listen to music & interviews with poets and writers on youtube
What is your favourite material to work with? How has your use of it evolved throughout your practice?
Paper because of its versatility
What themes do you pursue?
Alternative approaches to mapping
What advice has had the biggest impact on your career?
“You must go on. I can't go on. I'll go on.” Samuel Beckett
If you could install your art absolutely anywhere, where would that be?
Palazzo Grassi
If you could only have one piece of art in your life, what would it be?
I already have it Duchamp (À l'infinitif) (The White Box)
If you weren´t an artist, what would you be doing?
Poet
What are your favourite places besides your studio?
Standing on the shore line looking out to sea
2024
Ulixes: A Prelude to James Joyce's Bloomsday DunoonMOCA Dunoon Scotland
2022
Message in a Bo(a)ttle II, Heritage Museum St Andrews Scotland
2019
Message in a Bo(a)ttle installation Hopper House Museum Nyack NY
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2018
Empty Vessels, Bankley Gallery Manchester UK
2017
Winter Salon – Jaeckel Gallery 532 W 25thSt NYC NY USA
Et tu, Art Brute Andrew Edlin Gallery NYC NY USA
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Brooklyn Museum of Art NY USA
Cass Sculpture Park Foundation UK
David Bermant Collection USA
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2010 Mapping Arcadia: Isle Martin Essay The Rowan Tree Ark by Marina Warner
2017 SCULPTURE Magazine Sept. 08 vol. 27 no.7 - Imagination Made Material: Alastair Noble an article by Michael Howard2013 K2 Family Foundation award artist residency Marsh-Billings-Rockefeller National Park Woodstock Vermont
2009 Scottish Natural Heritage grant
2009 Gulbenkian Calouste Foundation Trust Art in the Public Realm