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Posted on October 26, 2016
David Nolan Gallery, 527 West 29th Street New York, NY 10001
October 27, 2016 - December 17, 2016
Thursday, October 27, 6-8pm
"All the artists want is to serve democracy, religion, their ego, or their career. ... It's a culture party. ... Art will be the savior, not the artist. ... I have to serve art. I don't serve myself." - Jonathan Meese, 2016
David Nolan Gallery is pleased to announce DR. TRANS-FORM-ERZ, a survey of nearly 70 drawings from over two decades by Jonathan Meese. On view from October 27 through December 17, the exhibition marks his first collaboration with the gallery and his first solo presentation in New York since 2011. A fully illustrated catalogue co-published by David Nolan Gallery and Verlag der Buchhandlung Walther König, with an essay by Pamela Kort, accompanies the exhibition.
Meese’s work includes paintings, drawings, sculptures, and performances but also extends to writing, stage design, and directing within the field of theater and opera. His practice addresses certain uneasy aspects of German political history and seeks to adopt ideological symbols and empty them of meaning. The subjects of his work have included Richard Wagner’s three act opera “Parsifal”, and more recently, the American actor, John Wayne. Wayne’s portrayals of unconquerable cowboys in over 80 Westerns, serve as the inspiration for a new suite of drawings entitled ERZMARSHALL. Newly conceived for the exhibition is an immersive installation that occupies an entire room. Combining painting, drawing, and sculpture, the work provides an environment in which the viewer can bear witness to Meese’s wide-ranging imagination.
The central importance of drawing in Meese’s career is underscored by an anecdote that the artist has recalled about travelling through Hamburg with his mother on his 22nd birthday. When asked what he would like as a present, the young Meese requested paper and pencils so that he could begin making drawings. In his subsequent artistic career, he has channeled and exploited the possibilities of the medium, deploying a range of techniques, working with cotton-rag papers, appropriated imagery in the form of photocopies, and over-painted photographs of himself in various guises.
Meese’s work has been the subject of solo museum exhibitions including Revolution at Kestnergesellschaft, Hanover (2002), Képi blanc, nackt at Schirn Kunsthalle Frankfurt (2004), Mama Johnny at Deichtorhallen Hamburg (2006), Jonathan Meese: Sculpture at the Museum of Contemporary Art, North Miami (2010), and MALERMEESE - MEESERMALER at Museum der Moderne Salzburg (2013).
His works are featured in several private and public collections internationally, including Art Gallery of Ontario, Toronto; Centre Georges Pompidou, Paris; Hall Art Foundation, New York; Louisiana Museum of Modern Art, Humlebæk, Denmark; Musées de la Ville de Strasbourg, France; Rubell Family Collection, Miami; De La Cruz Collection, Miami; and Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent. Meese was born in 1970 in Tokyo and now lives and works in Berlin and Hamburg.
Words by David Nolan Gallery