Ursa Schoepper
Neue Pfade, 2024
120,0 x 68,0 x 2,5 cm | 47,2 x 26,8 x 1,0 inch
12.000,00 € excl. VAT
Conceptual Art / Experimental Fine Art Photography / Mixed Media
Nothing is as it seems at first; everything is in process and thus in change.
Experimental Fine Art Photography a Metaphor of Change.
A digital photography is a light image and a data image. As a result, it is material of different systems. It is a preliminary image, a foil of pictorial perception. A mirror is held up to our perception. This always means our perception is in process. As in painting, photography is...
Nothing is as it seems at first; everything is in process and thus in change.
Experimental Fine Art Photography a Metaphor of Change.
A digital photography is a light image and a data image. As a result, it is material of different systems. It is a preliminary image, a foil of pictorial perception. A mirror is held up to our perception. This always means our perception is in process. As in painting, photography is also about ideas of reality. The camera loses the character of an objective recorder of factual truthsin this case.
In order to gain new perspectives, it sometimes helps to destroy familiar ways of seeing in the figurative sense, to think visually in processes, not in states. For me as an artist this means, for example, that I am destroying a photographic image by transformation, that I have previously taken. In other words, through a new algorithmic ordering structure, I arrive at a new seeing and visual order. First of all, it is a search for the ideal of the formula of an internal order. An inner order that holds everything together, that describes an ideal whole.
We see in the result as experimental photographic art something that we could not perceive in this order before. It is something that was already possibly included in digital photography. Photography thus becomes shapeable matter. An algorithmic ordering system that underlies digital photography as a grammar leaves a new constructive substantive order through transformation.
Creatively following an artistic idea, I thus develop autonomous photographic images. My artistic work can also be called conceptual work with photographic material. As a phantom of light and a digital structure, photography becomes the carrier of a visual vision. Light image simultaneously data image form the design of another possibility, a virtual reality in a realistic reality.
My uninterrupted work of seeing is noted by means of a photograph of the intensity of my senses, and is transformed through creative work of my mind, my soul. It is the modification of the optical impression of the world of objects through a transcendent mathematics of the soul. That is the prerequisite for my artistic work. The limitless beauty of creation, its inherent formal order makes me search for the formula of perfection.
Miles Davis once said, "Wayne Shorter was curious, he liked to experiment with musical rules. If they didn't fit, he sat down, but with a musical feeling; he knew that freedom in music requires knowledge of its rules to bend them to your own taste and needs." As an experimental photo artist, that's spoken from my soul.
@ Ursa Schoepper
https://www.virtuelledenkraeume.de
INTERVIEW
https://www.contemporaryartcuratormagazine.com/home-2/ursa-schoepper
https://www.contemporary-art-collectors.com/noble-art-conversations/ursa-schoepper
AWARDS
https://www.virtuelledenkraeume.de/ursa_schoepper_auszeichnungen.html
Ursa Schoepper
Raumbildung, 2022, Reihe Formation von Licht und Schatten, Experimental Fine Art Photography, Mixed Media, 150 x 105 cm, Colorpigment on Aludibond, matt, rückseitig gerahmt, rückseitig signiert
Prozess im Raum, 2022, Reihe Formation von Licht und Schatten, Experimental Fine Art Photography, Mixed Media, 150 x 105 cm, Colorpigment on Aludibond, matt, rückseitig gerahmt, rückseitig signiert
Formation im Raum, Reihe ZeitRaum Prozesse, 2012, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2014, 120 x 80 cm, Unikat, rückseitig signiert
Formation_im_Raum2, Reihe ZeitRaum Prozesse, 2012, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2014, 120 x 80 cm, Unikat, rückseitig signiert
In Process, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 56 cm x 75 cm, with shadow gap, also larger upon request
Zerrissenheit, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 56 cm x 75 cm, with shadow gap, also larger upon request
Losgelöst, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 56 cm x 75 cm, with shadow gap, also larger upon request
Out of Balance, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 50 cm x 75 cm, with shadow gap, also larger upon request
Connection, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 50 cm x 75 cm, with shadow gap, also larger upon request
Constructive Network, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 50 cm x 75 cm, with shadow gap, also larger upon request
Nature Matrix, Experimental fine art photography, 2024, Mixed Media, Colorpigment on Aludibond, 120 cm x 80 cm, Unique in this size and design
Ausschnitt von Nature Matrix, Experimental fine art photography, 2024, Mixed Media, Colorpigment on Aludibond, 120 cm x 80 cm, Unique in this size and design
Im Raster der Natur, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 150 cm x 84 cm, with shadow gap, also smaler upon request
Light Spots, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 150 cm x 84 cm, with shadow gap, also smaler upon request
Neue Pfade, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 150 cm x 84 cm, with shadow gap, also smaler upon request
Farbraster, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 50 cm x 75 cm, with shadow gap, also larger upon request
DNA der Natur, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 150 cm x 100 cm, with shadow gap, also smaler upon request
Zerstörung, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 150 cm x 100 cm, with shadow gap, also smaler upon request
Ausschnitt aus dem Kunstwerk "Zerstörung", siehe bitte das folgende komplette Kunstwerk, es gehört zur Reihe die "DNA der schützenswerten Natur"
Baukoerper, Experimental fine art photography, 2024, Mixed Media, Colorpigment on Aludibond, 75 cm x 50 cm, other format also possible
Versunkener Ort, Experimental fine art photography, 2024, Mixed Media, Colorpigment on Aludibond, 75 cm x 50 cm, other format also possible
Architektur Dome, Experimental Fine Art Photography, 2023, image carrier, design and size on request, to choose from Aludibond, matt, hahnemühlen fine art or as a glass picture
Skyline, Experimental Fine Art Photography, 2023, image carrier, design and size on request, to choose from Aludibond, matt, hahnemühlen fine art or as a glass picture
Drought, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 55 cm x 75 cm, with shadow gap, also larger upon request
Trockenheit, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 55 cm x 75 cm, with shadow gap, also larger upon request
Winterzeit, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 50 cm x 75 cm, also larger upon request
Winter, Experimental fine art photography, 2023, Mixed Media, Colorpigment on Aludibond, 50 cm x 75 cm, also larger upon request
Finding new pathways, Experimental fine art photography, 2023, Colorpigment on Aludibond, brushed 30 cm x 30 cm on Aludibond, black, 50 cm x 50 cm, so the result appears as an object
Living in Utopia, Experimental fine art photography, 2023, mixed media, Colorpigment on Aludibond, 30 cm x 30 cm, signed and framed on the back
Appearance, 2019, Experimental Fine Art Photography, mixed Media, Colorpigment on Aludibond, mat, 45 x 120 cm, Unikat in this size
New Order, 2019, Experimental Fine Art Photography, mixed Media, Colorpigment on Aludibond, mat, 66 x 120 cm, Unikat in this size
Shadow of Past 2020, from the Series Remember, Experimental Fine Art Photography, Mixed media, Colorpigment on Aludibond, with shadow gap, 23 cm x 41 cm,
Past Epoch 2020, from the Series Remember, Experimental Fine Art Photography, Mixed media, Colorpigment on Aludibond, with shadow gap, 23 cm x 41 cm
StädteBau Im Dunst,2022, aus der Reihe StadtLandschaft, Experimental Fine Art Photography, Colorpigment on Aludibond, 20 x 30 cm, framed with shadow gap, signed on the back
Landschaft im Morgenlicht, 2022, Experimental Fine Art Photography, Colorpigment on Aludibond, 50 x 75 cm, or larger, framed with shadow gap, signed on the back
Virtual Waterscape, 2022, Experimental Fine Art Photography, Mixed Media, Colorpigment on Aludibond, mat, 80 x120 cm, Unikat
Oelschlamm, 2023, Photo project damage to the water, Experimental Fine Art Photography, Mixed Media, 75 x 56 cm, Colorpigment on Aludibond, mat,
Oellachen, 2022, Reihe Umweltverschmutzung, Experimental Fine Art Photography, Mixed Media, 120 x 80 cm, Colorpigment on Aludibond, matt, mit Schattenfuge gerahmt, rückseitig signiert
Oelteppich, 2022, Reihe Umweltverschmutzung, Experimental Fine Art Photography, Mixed Media, 120 x 80 cm, Colorpigment on Aludibond, matt, mit Schattenfuge gerahmt, rückseitig signiert
Stierkampf, 2023, Experimental Fine Art Photography, mixed media, 35 x 60 cm, Colorpigment on AluDibond, larger on request, on request also on other image carrier material
Galopprennen, 2023, Experimental Fine Art Photography, mixed media, 35 x 60 cm, Colorpigment on AluDibond, larger on request, on request also on other image carrier material
Dem Himmel so nah, 2022, Experimental Fine Art Photography, Mixed Media, Shimmering Velvet, 100 cm x 150 cm, oder Colorpigment on Alu Dibond. mit Schattenfuge gerahmt. rückseitig signiert
Farbwelten, 2022, Experimental Fine Art Photography, Mixed Media, Shimmering Velvet, 100 cm x 150 cm
Ruin in the firelight, 2022, Experimental Fine Art Photography, Mixed Media, Colorpigment on Aludibond, mat, 80 x120 cm
Burned Earth, 2022, Experimental Fine Art Photography, Mixed Media, Colorpigment on Aludibond, mat, 80 x120 cm
Verbrannter Ort, 2022, aus der Reihe StadtLandschaft, Experimental Fine Art Photography, Colorpigment on Aludibond, 20 x 30 cm, framed with shadow gap, signed on the back
Der verlassene Ort, 2022, aus der Reihe StadtLandschaft, Experimental Fine Art Photography, Colorpigment on Aludibond, 20 x 30 cm, framed with shadow gap, signed on the back
Eiszeit, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2020, 75 x 52 cm, rückseitig gerahmt, 3Exempl., rückseitig signiert, aus der Reihe Virtuelle Landschaften
Canyons, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2020, 75 x 52 cm, rückseitig gerahmt, 3Exempl., rückseitig signiert, aus der Reihe Virtuelle Landschaften
Desert, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2020, 180 x 70 cm, in dieser Größe und Ausführung ein Unikat, rückseitig signiert, auf Wunsch auch kleiner
Umlaufbahn, Reihe Fiktive Planeten, 2021, Experimental Fine Art photography, Mixed Media, 76 x 51 cm, Farbpigment auf Aludibond, matt, mit Schattenfuge, rückseitig signiert
Stadtspeicher, 2021, 80 x 120 cm, Experimental Fine Art Photographie, Mixed Media, Farbpigment auf hochwertigem Fotopapier auf Aludibond, matt, mit Schattenfuge gerahmt, 3 Exemplare, rückseitig signiert
Verdichtung ländlicher Raum, 2021, Experimental Fine Art Photography, Mixed Media, Bildgröße 70 cm x 47 cm, Farbpigment auf Aludibond, mit Schattenfuge, 1/3, rückseitig signiert, auf Wunsch auch auf Hahnemühlen Papier
Ländlicher Raum, 2021, Experimental Fine Art Photography, Mixed Media, Bildgröße 70 cm x 45 cm, Farbpigment auf Aludibond, mit Schattenfuge, 1/3, rückseitig signiert, auf Wunsch auch auf Hahnemühlen Papier
Stadtlandschaft, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2019, 75 cm x 50 cm, Unikat, rückseitig signiert, auf Wunsch auch kleiner
Stadtlandschaft2, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2019, 75 cm x 50 cm, Unikat, rückseitig signiert, auf Wunsch auch kleiner
Music in the city, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2020, 150 x 100 cm, mit Schattenfuge gerahmt, Unikat in dieser Größe, rückseitig signiert
Virtual City, Experimental Fine Art Photography, Farbpigment auf Aludibond, matt, 2020, 150 x 100 cm, mit Schattenfuge gerahmt, Unikat in dieser Größe, rückseitig signiert
Eislandschaft, 2021, Experimental Fine Art Photography, on Aludibond, gebürstet, 75 cm x 53 cm, mit Schattenfuge gerahmt, signiert, aus der Reihe Virtuelle Landschaften
Farbbaender, 2021,Experimental Fine Art Photography, Mixed Media, 120 cm x 80 cm, auch im Format einer Stele, siehe https://www.virtuelledenkraeume.de/stelen.html
Visueller Text, 2019, nominiert für den 6. Internationalen Evard-Preis 2021, Experimental Fine Art Phtography, Mixed Media, 120 cm x 120 cm, Farbpigment auf Aludibond, matt
Referenz Mondrian, 2019, Experimental Fine Art Phtography, Mixed Media, 120 cm x 120 cm, Farbpigment auf Aludibond, matt
Vernetzt wahrnehmen, aus der Reihe Visual Text, 2021, Experimental Fine Art Photography, Mixed Media, Farbpigment auf Aludibond, 50 cm x 50 cm, rückseitig signiert und mit Schattenfuge gerahmt
Library_Books, Experimental Fine Art Photography, 2015, 120 cm x 80 cm, Colorpigment on Aludibond, Schattenfugenrahmung, Unikat, rückseitig signiert
Visual Text, 2021, Experimental Fine Art Photography, Mixed Media, Farbpigment auf Aludibond, 90 cm x 90 cm, rückseitig signiert und gerahmt
What is it about your studio space that inspires you?
My curiosity to look at things differently. In the studio but also outside.
What sounds, scents and sights do you encounter while in your studio?
Sometimes Jazz. And I love the view in my garden.
What is your favourite material to work with? How has your use of it evolved throughout your practice?
I love photographic material as a material. How is digital material constructed? So how can I use it creatively? What does the result tell us about our perception? It is also exciting to look at reality systemically.Looking for truth, artistic design moves between the imitation of realistic realities and their abstraction. It is very interesting for me to look at photography as a mask of reality, as a arole model, as the archetype of a perception, a way of seeing and point of view. Aesthetic redesign does not mean devaluation, but in the process allows the way to an autonomous photographic art.
What themes do you pursue?
I deal with philosophical aspects. With the realistic reality and the virtual reality,understood as what is possible after the possibility and what is possible in possibility, as Ernst Bloch describe it. At the same time, I'm fascinated by the connections of the system theory. Looking at photographic work against the background of systems theory is tremendously exciting.
What advice has had the biggest impact on your career?
During my cultural management studies, Professor Eckart Pankoke gave us an interesting note on innovation. He recommended: "Wer seine Chance ergreift, riskiert wie der Künstler und das strategische Genie das Aufbrechen der Wahrnehmungsroutinen und im Extrem (Selbst-) Zerstörung. Doch nur das Risiko der Destruktion kann der Innovation den Weg öffnen.“ Prof.Eckart Pankoke
If you could install your art absolutely anywhere, where would that be?
Wherever I can touch people's souls. Wherever a dynamic, open, creative and innovative climate can be found, and where it is understood that an unorthodox approach to photographic material can mean looking forward. A change of vision, dynamism and processing do not let forget the past.
If you could only have one piece of art in your life, what would it be?
An art work by Gerhard Richter or Pablo Picasso
If you weren´t an artist, what would you be doing?
A scientific researcher
What are your favourite places besides your studio?
I like to be on travel, curious to explore the world, meet friendly people, learn from them
EXHIBITIONS
SOLO
EXHIBITION /SELECTION AND HIGHLIGHTS, http://www.virtuelledenkraeume.de/ursa_schoepper_ausstellungen.html
GROUP
EXHIBITION /SELECTION AND HIGHLIGHTS, http://www.virtuelledenkraeume.de/ursa_schoepper_ausstellungen.html
WORKS IN COLLECTIONS
HELMHOLTZ ZENTRUM für Materialien und Energie Berlin, Berlin - Adlershof
HELMHOLTZ ZENTRUM für Materialien und Energie Berlin, Berlin Wannsee
MUSEO CIVICO Giovanni Fattori ex Granai de Villa Mimbelli and Fortezza Vecchia, Livorno
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GALLERIES
Arte Borgo Gallery, Rom | https://www.arteborgo.it/de
MONAT Gallery, Madrid | https://www.monatgallery.com/
Contemporary Art Station London / Tokio | https://www.contemporaryartstation.com/
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AWARDS
http://www.virtuelledenkraeume.de/ursa_schoepper_auszeichnungen.html
Buy artworks by Ursa Schoepper
Ursa Schoepper
Im Raster der Natur, 2024
120,0 x 68,0 x 2,5 cm | 47,2 x 26,8 x 1,0 inch
12.000,00 € excl. VAT
Ursa Schoepper
Light Spots in Nature, 2024
120,0 x 68,0 x 2,5 cm | 47,2 x 26,8 x 1,0 inch
12.000,00 € excl. VAT
Ursa Schoepper
Dasein im Licht, 2019
50,0 x 75,0 x 2,0 cm | 19,7 x 29,5 x 0,8 inch
4.500,00 € excl. VAT
