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‘Her artistic concept is to turn everything into art – things, situations and actions alike’ (Eva Meyer-Hermann, ‘Art as Foodstuff’ in Jonny Star, See Me, Feel Me, Touch Me, Heal Me, Distanz, 2016
The Cycle Room 5, 2016, pigment print on paper, acrylic, fabric, oil pastel, 80 x 60 cm, photo by Volker Roloff
The Cycle Room 9, 2016, pigment print on paper, acrylic, fabric, oil pastel, 80 x 60 cm, photo by Volker Roloff
Jonny Star, The Cycle Room 4, 2016, pigment print on paper, acrylic, fabric, oil pastel, 120 x 80 cm, photo by Volker Roloff
See Me, Feel Me, Touch Me, Heal Me, 2016, 4 parts, pigment print on fabric, fabric, metal, approx. 150 x 180 x 20 cm, photo by Jens Bösenberg
Free Your Soul 7, 2015, pigment print on fabric, fabric, Swarovski beads, fur, 140 x 113 x 8 cm, photo by Jens Bösenberg
wir machen das klar (mit Kaninchen), 2012, bronze, wood, print on plastic foil, glitter, 28 x 18 x 18 cm, photo by Jens Bösenberg
wir machen das klar (Queen), 2012, bronze, wood, pigment print on plastic foil, glitter, 17 x 18 x 18 cm, photo by Jens Bösenberg
What is it about your studio space that inspires you?
My studio is an independent universe.
What sounds, scents and sights do you encounter while in your studio?
Art is life.
What is your favourite material to work with? How has your use of it evolved throughout your practice?
Clay, found objects, bronze, fabric and of course haberdashery!
What themes do you pursue?
The loss of consciousness of current societies about the importance of art.
What advice has had the biggest impact on your career?
If you could install your art absolutely anywhere, where would that be?
In tree millions private homes.
If you could only have one piece of art in your life, what would it be?
Lady in waiting, 2003 by Louise Bourgeois
If you weren´t an artist, what would you be doing?
An artist can't stop being an artist.
What are your favourite places besides your studio?
For inquiries about artworks by Jonny Star send an email via this contactform.
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