Ivonne Thein
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Ivonne Thein
Published 20/09/2021 | Updated 30/12/2023
At the center of my cross-media practice is the human body, its socio-political status and our contemporary idea of the body in the digital age. When people meet in everyday life, they also perceive themselves as bodies. In our performance-oriented society, there is a growing tendency towards objectification that encodes the body as an arbitrarily manipulable mass. We can do something with our body, shape it or manipulate it. Today it...
Read moreAt the center of my cross-media practice is the human body, its socio-political status and our contemporary idea of the body in the digital age. When people meet in everyday life, they also perceive themselves as bodies. In our performance-oriented society, there is a growing tendency towards objectification that encodes the body as an arbitrarily manipulable mass. We can do something with our body, shape it or manipulate it. Today it seems omnipresent, permeable and somehow overcome, and increasingly resembles a set of possibilities. In some works I deconstruct him and create body images that also raise the question of identity, dissolution, transience, gender and post-humanism. In other works, I refer to the strongly taboo topics of failure and motherhood in the art world. Failure is an essential part of artistic practice. The process of failure often results in an intensive examination of the creative process with one's own work. In the art world, however, failure is only negatively proven. The potential of failure is only recognized in success and at a distance from being overcome.
Ivonne Thein, studied photography and film with Susanne Brügger and
Cindy Gates at the University of Applied Science Dortmund and find art at the RMIT Melbourne. Thein has received support through fellowships including Stiftung Kunstfonds Bonn, Institut für Auslandsbeziehungen and Berlin Senat. Her work has been exhibited in venues such as Fotomuseum Winterthur, Kunsthalle Karlsruhe, Lentos Linz, CO Berlin, Kunsthalle Kiel, Deutsche Hygienemuseum Dresden, and Amelie A. Wallace Gallery New York.
TECHNO BODIES, 2021 - 2022 © Ivonne Thein / VG Bildkunst Bonn
full HD video loops, no sound in 55" screens
LED light
as part of an mixed media installation
how not to be seen as a body, 2020 (excerpt)
mixed media installation ( full video on request)
five computer generated photographs (50 x 50 cm), photo print on fabric with silicone, carpet with photoprint, 4K video loop with sound, 5:12 min
2022
TECHNO BODIES, SOMA 700, Berlin
TECHNO BODIES II, Art Claims Impulse, Berlin
2018
body options, Art55 Galerija, Niš, Serbia
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2023
HAUT, ZAK, Zitadelle Spandau, Berlin
2022
RÉSEAUX-MONDES, Centre Pompidou, Paris, FRA
2019
DEW21 Art Prize, Museum am Ostwall, Dortmund, Germany
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CO Berlin, Berlin, Germany
DZ Bank, Frankfurt a.M., Germany
Deutsche Hygiene Museum, Dresden, Germany
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2020 Neustart Kultur, working Grant Stiftung Kunstfonds Bonn
2019 working grant by Stiftung Kunstfonds Bonn
2008 CO Berlin Talent Award