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Christiane Bergelt Main Profile Image

Christiane Bergelt

Christiane Bergelt

Chorin/ Germany

Painting • Born in Marienberg • Studied at Chelsea College of Arts, UAL, London/ AdBK Nürnberg

Published  08/01/2018   |   Updated  14/06/2019

in the woods

My work evolves around experience, memory, language and the utter joy of exploring colour and shape.
The container and foundation for the work is the human figure.

These are paintings as accumulation and remnant of all someone’s activities.
Motionless at first, but swift like sunbathing lizards, figures emerge.

Working with paper as ground, colour, bodies and pictorial space ignite my practice as a...

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My work evolves around experience, memory, language and the utter joy of exploring colour and shape.
The container and foundation for the work is the human figure.

These are paintings as accumulation and remnant of all someone’s activities.
Motionless at first, but swift like sunbathing lizards, figures emerge.

Working with paper as ground, colour, bodies and pictorial space ignite my practice as a painter.
Events, words and ideas interfere before submitting and we find out when and why it is a painting.

Christiane Bergelt
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Christiane Bergelt

the world offers itself, (from Mary Oliver, Wild Geese) 2018, mixed media on linen, 250 x 200 cm

the world offers itself, (from Mary Oliver, Wild Geese) 2018, mixed media on linen, 250 x 200 cm

Text JG, 2017, oil on paper, 36 x 30 cm

Text JG, 2017, oil on paper, 36 x 30 cm

coelin bath, 2016, mixed media on paper, 29,5 x 18 cm

coelin bath, 2016, mixed media on paper, 29,5 x 18 cm

Alphabet P, 2017, oil on paper, 33 x 30 cm

Alphabet P, 2017, oil on paper, 33 x 30 cm

the soft animal of your body, (from Mary Oliver: Wild Geese) , 2018, mixed media on paper, 253 x 217 cm

the soft animal of your body, (from Mary Oliver: Wild Geese) , 2018, mixed media on paper, 253 x 217 cm

tunnel vision, oil on paper and linen, 40 x 35 cm

tunnel vision, oil on paper and linen, 40 x 35 cm

you do not have to be good,(from Mary Oliver, Wild Geese), 2018, mixed media on paper, 253 x 217 cm

you do not have to be good,(from Mary Oliver, Wild Geese), 2018, mixed media on paper, 253 x 217 cm

triangolo rosa, 2014, Papier auf Leinen, 40 x 55 cm

triangolo rosa, 2014, Papier auf Leinen, 40 x 55 cm

Lücke im Wald , Kloster Chorin

Lücke im Wald , Kloster Chorin

yellow blinds that never, 2017, oil on paper, 28,3 x 25,9 cm

yellow blinds that never, 2017, oil on paper, 28,3 x 25,9 cm

parisian veil, 2017, oil on paper, 29,6 x 21,3 cm

parisian veil, 2017, oil on paper, 29,6 x 21,3 cm

ted ed, 2017, oil on paper, 25,2 x 23 cm

ted ed, 2017, oil on paper, 25,2 x 23 cm

What is it about your studio space that inspires you?

Solitude and spatial limitations. It's a condensed space I'm working in and it allows to focus on small formats. At night it turns into a lit up glass box. During warmer months it becomes a transitional space inhabited by insects and dust.

What sounds, scents and sights do you encounter while in your studio?

Recently I moved into a new studio space. An incredibly clear space. The previous studio was a paned verandah surrounded by the woods. I enjoy its noise and silence as well as disturbing it when I'm listening to music. The glasspanels are several decades old. They keep me attentive, as their irregularities and my motion create movement in the surroundings where there is none. I do love the scent of oil colours and the mediums used to dilute them.

What is your favourite material to work with? How has your use of it evolved throughout your practice?

Oilpaint, paper and detours. Its odour. It's the most sensual to me. Besides its body, scent and consistencies it goes along with the trial and error work approach. Surprise me - yes! The speed of painting compared to the amount of time considering and reevaluating the decisions that have been made.

What themes do you pursue?

Work evolves in the spheres of experience, memory, bodies, language and the utter joy of exploring colour and shape. At its peak not knowing and lurking surprises take over.

What advice has had the biggest impact on your career?

Bei sich bleiben. I utterly cherish chats with friends and how unknown thoughts loom there about painting.

What are your favourite places besides your studio?

I love a good kitchen, preferably with a couple of mates eating, chatting for hours.


EXHIBITIONS

SOLO

2018

Lücke im Wald, Kloster Chorin

2017

ultra meer, Galerie Borssenanger, Chemnitz

2015

there there, Galerie Sturm, Nürnberg

GROUP

2019

Drei Maler in Berlin, BERGELT FLIERL KUTZNER, Galerie Parterre, Berlin

2018

SCHLAFENDE HUNDE, Uta Zaumseil + Christiane Bergelt, Galerie Borssenanger

MARK, Kunsthalle Brennabor, Brandenburg/ Havel

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PUBLICATIONS

AWARDS

Schloss Wiepersdorf, Land Brandenburg

DAAD Grant Iceland

2017 Nachwuchsförderpreis Bildende Kunst, Land Brandenburg

EDUCATION (detailed)

2003-2009 Akademie der Bildenden Künste Nürnberg

2006 Accademia di Belle Arti di Sassari

2009-2010 Chelsea College of Arts and Design, London


For inquiries about artworks by Christiane Bergelt send an email via this contactform.
The message will be send to the artist's studio. The message will be send to the artist's gallery or artist's studio.

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