Black ink draws a line through empty space, the conscious is following.
Where two lines meet, a body gets described. The borders of the body define space.
The drawn line becomes a tool for observation and translation of the unknown within several dimensions.
Untitled, 2017, steal wire, dimensions variable (test work)
Untitled 2017, bone glue, oil color, 140 x 120 cm
Untitled 2017, bone glue, oil color, 160 x 130 cm
Picknik, 2017, bone glue, oil color, 180 x 150 cm
Untitled 2017, bone glue, oil color, 180 x 150 cm
Hochzeit 2017, bone glue, oil color, 120 x 100 cm
Series_Spacedrawings, 2016, steel wire, brass bars, 21 x 14 x 13 cm
Series_Spacedrawings, 2016, steel wire, brass bars, 30 x 20 x 13 cm
Series_Spacedrawings, 2016, steel wire, brass bars, 29 x 21 x 15 cm
Crossing and untitled (drawing)__exhibition view, performingencounters Salon at Haus am Lützowplatz, Berlin, June 2016
What is it about your studio space that inspires you?
When I open the frontdoor I´m standing directely outside, which reminds me a little bit of camping every day, That´s questioning the border between privacy and public,
What sounds, scents and sights do you encounter while in your studio?
The drive way is directely in front of my entrance, so I hear every truck that´s passing by. On weekends it´s mostly quiet so one can hear the birds singing, when I´m not listening to loud music at the time.
What is your favourite material to work with? How has your use of it evolved throughout your practice?
My favourite thing to work with is definately just a pen, full of ink. The hand you use it with is always the same. Challenging is to make the outcome always new.
What themes do you pursue?
Since I work with drawing and sculpture, the area of their interplay and mutual influence is of growing interest to me.
What advice has had the biggest impact on your career?
Be patient and do what you love.
If you could install your art absolutely anywhere, where would that be?
Kolumba in Cologne
If you could only have one piece of art in your life, what would it be?
Blinki Palermo, Untitled, 1968 (3 wooden sticks with cotton)
If you weren´t an artist, what would you be doing?
What are your favourite places besides your studio?
My mom´s place in Sweden and the mountains.
Salon, Supper Club, Intervention with Yvonne Reiners (performingencounters.de)/ Studio Galerie, Haus an Lützowplatz/ Berlin
Mind is Mouse/ PM Gallery, HDLU Museum/ Zagreb
"Von den Gefahren und Träumen durchlässiger Systeme /Salon mit Performing Encounters / Kreuzberg Pavillion / Berlin
“MEOS”/ IDE-Atelierhaus Weißensee / Berlin
„Diplomenta Singunale“ / Schlecker Contemporary / Braunschweig
„Die Ramonitk der kleinen Schritte“/ Kunstverein Viernheim
Privat Collection, Bohn
Privat Collection, Casper/ Haischer
Privat Collection, Main/ Meyer
2012 Diplom/ HBK-Braunschweig, Germany
2013/ Master Student of Bogomir Ecker / HBK-Braunschweig, Germany
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