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...ephemeral traces and shifting impressions. In thinking about and through the line, its constant ebb and flow and various intersections coalesce to materialize the state of being in process.
from the article by Julianne Cordray (@berlinartlink)
Caidal, 2018 @artbiesenthal
What is it about your studio space that inspires you?
The morning sun draws shapes onto the floor. Coffee, music on and start working.
What sounds, scents and sights do you encounter while in your studio?
I look at some very ugly buildings from the 90´s but the birds are nice.
What is your favourite material to work with? How has your use of it evolved throughout your practice?
Pencil and Paper as well as steel and other metals. Sometimes Polyurethane. Steel bars and wire came into play when I started to translate my drawings into space.
What themes do you pursue?
None. They pursue themselfs in the making.
What advice has had the biggest impact on your career?
Keep working and be true to yourself
If you could install your art absolutely anywhere, where would that be?
In the Desert of Nevada
If you could only have one piece of art in your life, what would it be?
If you weren´t an artist, what would you be doing?
Professional Snowboarder or Graphic Designer
What are your favourite places besides your studio?
The "Schwarzwaldstuben" in Berlin-Mitte, "Hackbarth´s" and my moms house in Sweden.
Auf freien Weiden, Galerie Gisela Clement, Bonn
Salon, Intervention, Studio Galerie, Haus an Lützowplatz, Berlin (curated by Yvonne Zindel)
Mind is Mouse/ PM Gallery, HDLU Museum/ Zagreb
“MEOS”/ IDE-Atelierhaus Weißensee / Berlin
„Diplomenta Singunale“ / Schlecker Contemporary / Braunschweig
„Die Ramonitk der kleinen Schritte“/ Kunstverein Viernheim
Privat Collection, Bohn
Privat Collection, Casper/ Haischer
Privat Collection, Holtkamp
2012 Diplom/ HBK-Braunschweig, Germany
2013/ Maeisterschüler of Bogomir Ecker / HBK-Braunschweig, Germany
For inquiries about artworks by Birte Bosse send an email via this contactform.
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