
MIRAY SERAMET
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Photo: Carsten Eisfeld
Berlin, Germany
Bettina Rave’s images, which appear so restrained, are not fuzzy logic or words, but convert the intellectual discourse into sensuous visual images. In this way, she has created one possible form for panel paintings of the electronic age. Her works make a stimulating connection between the overflowing media world and the static world of images, taking up a position of their own between media and painting. Rave’s images are components of a...
Read moreBettina Rave’s images, which appear so restrained, are not fuzzy logic or words, but convert the intellectual discourse into sensuous visual images. In this way, she has created one possible form for panel paintings of the electronic age. Her works make a stimulating connection between the overflowing media world and the static world of images, taking up a position of their own between media and painting. Rave’s images are components of a reality that is newly seen; a self-created world of images: powerful, effective and sensitive.
Wulf Herzogenrath, “Timely Images”
in "Bettina Rave, Flow“, Kunstmuseum Singen 2015, modo Verlag Freiburg
2018
12 songs, Galerie G, Freiburg , Germany
2017
Anton Berta Cäsar, Worte, Zeichen, Notationen, Hesse Museum Gaienhofen, Germany and Haus zur Glocke, Steckborn, Switzerland
2015
Memory, Galerie Vayhinger, Singen, Germany
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2019
back light, Medienwerkstatt im Kino Central, Berlin, Germany
Malerei? Malerei!, Haus zur Glocke, Steckborn, Switzerland
Flüchtige Entwürfe, Deutscher Künstlerbund Berlin, Germany
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Bigler/Bergheimer Preiss, Zürich, Switzerland
Industrie – und Handelskammer Dortmund, Germany
Kunstmuseum Singen, Germany
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Corinne Schatz „Bettina Rave“ in „Malerei? Malerei!“, Haus zur Glocke, Steckborn, 2019
Ute Hübner: "Worte, Zeichen, Notationen", Michaela Nicole Raß: "Ander(e)s Sehen: zum Verhältnis von Zeichen, Bezeichnetem und Material in den Text-Bildern von Bettina Rave" in "Bettina Rave, Anton Berta Cäsar. Worte, Zeichen, Notationen", modo Verlag, Freiburg, 2017
Bettina Rave "Komma“ in Helga Lutz, Nils Plath, Dietmar Schmidt (Hgg): Satzzeichen. Szenen der Schrift, Kulturverlag Kadmos, Berlin, 2017
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2010 Goldrausch Künstlerinnenprogramm art IT, Berlin, Germany
1998 Fine Arts Grant from the Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany
1992 Grant from the Kunststiftung Baden-Württemberg , Germany
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1983-88 studies at the HdK Berlin (now UdK), Department of Visual Communication, Diploma in the class with Helmut Lortz
1989 Studies in painting and film, Rhode Island School of Design / Brown University, R.I. (USA) with John Terry und Dennis Congdon
1990 Master student of Wolfgang Ramsbott, HdK Berlin, course of studies in experimental film design