Agata Czeremuszkin-Chrut

Agata Czeremuszkin-Chrut sees painting as her main tool for describing the world, it serves its glorification or sometimes negation. Simultaneously, her actions constitute of a record of emotions and observations, often subconsious, expressive, and very intuitive ones. They oscillate around a person, his or her dependence on others, mutual influences, constraints, or manipulations.

She is interested in life, energy, the body and...

Agata Czeremuszkin-Chrut sees painting as her main tool for describing the world, it serves its glorification or sometimes negation. Simultaneously, her actions constitute of a record of emotions and observations, often subconsious, expressive, and very intuitive ones. They oscillate around a person, his or her dependence on others, mutual influences, constraints, or manipulations.

She is interested in life, energy, the body and all biological processes and fascinated by that which has its own anatomy, weight, scale, heat. In the step-by-step process of their transformation body images are deformed and deconstructed so they can be assembled anew. All in all she strives for simplification of form.